![]() ![]() The locals believe that Godzilla and not the storm are responsible for the destruction. That night, a heavy rain and wind storm strikes the island, destroying many houses and killing some villagers. He learns of the island inhabitants' long-held belief in a sea monster god known to them as "Godzilla", which they believe is causing the disasters. ![]() When a sole survivor washes up on Odo Island, Martin flies there for the story along with Tomo Iwanaga (Frank Iwanaga), a representative of the Japanese Security Defense Forces (JSDF). Martin recalls in flashback stopping over in Tokyo, where a series of inexplicable ship disasters catches his attention. Emiko (Momoko Kochi) finds him among the victims and attempts to find a doctor for him. Spoiler warning: The following contains plot details aboutĪmerican reporter Steve Martin (Raymond Burr) is brought from the ruins of Tokyo to a hospital filled with maimed and wounded citizens. ![]() It was the only version that critics and scholars had any access to until 2004, when the 1954 original was finally released in select North America theatres. It was this version of Godzilla that introduced audiences worldwide to the character and its franchise. theatrical release, this new version of Godzilla was given A-picture status and bookings, the first feature film to present the Japanese in principal, heroic roles and as sympathetic victims of the destruction of Tokyo (albeit via a fictional giant monster). The new footage featured Burr interacting with Japanese-American actors and look-alikes in order to make it appear that he was in the original Japanese production.Īfter World War II, a handful of independent, low-budget films had been made in Japan by American companies that featured Japanese players in the cast. version is told, mainly through flashbacks and voice-over narration. Canadian actor Raymond Burr was cast in the lead role of American journalist Steve Martin, from whose perspective the U.S. This resulted in 16 minutes of footage being cut from the original and being replaced with new footage shot exclusively for Godzilla's North American release. In Japan the film was released as Monster King Godzilla (怪獣王ゴジラ Kaiju Ō Gojira).įor this "new" version of Godzilla, some of the original Japanese dialogue was dubbed into English, and some of the political, social, and anti-nuclear themes and overtones were removed completely. This reedited version introduced all other viewing audiences to the character and labeled Godzilla the "King of the Monsters". Except for Spain and Poland, the film was unknown in Europe. In the United States the original black-and-white film had previously been shown subtitled in Japanese community theaters only. It is a heavily re-edited American adaptation, commonly referred to as an "Americanization", of the 1954 Japanese film Godzilla. ![]() However, he's ultimately able to kill both as their main special attack–a powerful EMP burst–does nothing to slow him down.Godzilla, King of the Monsters! is a 1956 Japanese-American science fiction kaiju film, co-directed by Terry O. Though she doesn't possess wings like the male, the female is even larger but they're both more than enough in terms of size and strength to take on a rusty Godzilla. After emerging years later for an even larger rampage, the female spore awakens also, having apparently survived all kinds of experimentation. Having waited for what can only be assumed to be thousands of years, the male awakens first and goes on a small rampage to find a nearby nuclear power plant to cocoon in and mature. The pair begin their life cycles as parasitic spores which have supposedly killed a creature not too dissimilar from Godzilla and were discovered when a large piece of mining equipment collapsed into the cavern where they had been lying dormant in the Philippines. Of Godzilla's many, many main villains, the MUTOs from the 2014 MonsterVerse movie are his most recent but by no means his weakest.
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